"Believe Me, if All Those Endearing Young Charms" is a popular song written in 1808 by Irish poet Thomas Moore using a traditional Irish air. Moore's young wife had been stricken with an illness and worried that she would lose her looks. He wrote the words to reassure her.
Video Believe Me, if All Those Endearing Young Charms
Origins of the melody
The tune to which Moore set his words is a traditional Irish air, first printed in a London songbook in 1775. It is occasionally wrongly credited to Sir William Davenant, whose older collection of tunes may have been the source for later publishers, including a collection titled General Collection of Ancient Irish Music, compiled by Edward Bunting in 1796. Sir John Andrew Stevenson has been credited as responsible for the music for Moore's setting.
It is thought that after Moore's wife, Elizabeth, was badly scarred by smallpox, she refused to leave her room, believing herself ugly and unlovable. To convince her his love was unwavering, Moore composed the 'Endearing' poem which he set to an old Irish melody and sang outside her bedroom door. He later wrote that this restored her confidence and re-kindled their love.
Maps Believe Me, if All Those Endearing Young Charms
Lyrics
The lyrics, as originally published in 1808 in A Selection of Irish Melodies, are as follows:
- I.
- BELIEVE me, if all those endearing young charms,
- Which I gaze on so fondly to-day,
- Were to change by to-morrow, and flee from my arms
- Like fairy-gifts, fading away!
- Thou wouldst still be ador'd as this moment thou art,
- Let thy loveliness fade as it will;
- And, around the dear ruin, each wish of my heart
- Would entwine itself verdantly still!
- II.
- Would entwine itself verdantly still!
- It is not while beauty and youth are thine own,
- And thy cheeks unprofan'd by a tear,
- That the fervour and faith of a love can be known,
- To which time will but make thee more dear!
- No! the heart that has truly lov'd, never forgets,
- But as truly loves on to the close;
- As the sun-flower turns on her god, when he sets,
- The same look which she turn'd when he rose!
Other uses of the melody
Other than "Believe Me, If All Those Endearing Young Charms", the tune is perhaps best known as the melody to "Fair Harvard", the alma mater of Harvard University. A seventeenth-century folk song, Matthew Locke's "My Lodging is in the Cold, Cold Ground", was set to this tune some time after its original setting to a different, also traditional, air. Simone Mantia, a pioneer of American euphonium music, composed a theme and variations on the melody, which remains a staple of the solo euphonium literature.
The first verse, as originally written, was sung by the character Alfalfa in a 1936 episode of MGM's The Little Rascals entitled Bored of Education. The tune, with the Endearing Young Charms title, also became a staple of Warner Brothers cartoons, appearing first in the 1944 Private Snafu short "Booby Traps". Subsequent uses included the 1951 Merrie Melodies animated cartoon Ballot Box Bunny, 1957 Looney Tunes short Show Biz Bugs (which reappeared in the 1981 package film), 1965 Road Runner cartoon Rushing Roulette, and finally in a new twist on the gag, with Slappy Squirrel's 1993 introductory episode, "Slappy Goes Walnuts", from Animaniacs. Variations were also done in the 1963 Andy Griffith Show episode "Rafe Hollister Sings", and the 2010 South Park episode "Crippled Summer". In its cartoon appearances, the song is often the cue for a classic "bomb gag" wherein the playing of the first line of the song sets off a rigged explosion on the final note. However, the target often misses, forcing the perpetrator to play it themselves and fall for their own trap. The gag is so well known that it is often called "The Xylophone Gag".
Little Virgie (Shirley Temple) sings the song to her father (John Boles) in the 1935 film The Littlest Rebel.
The first line appears in some versions of Dexys Midnight Runners' "Come On Eileen" as an introduction played by a solo fiddle. A short version of the tune also appears at the end of some versions of the "Come On Eileen".
Roger Quilter's setting of the song was included in the Arnold Book of Old Songs, published in 1950.
Debbie Reynolds and Barbara Ruick sing the first stanza in the 1953 film The Affairs of Dobie Gillis.
Walter Huston plays the melody on harmonica in the film The Treasure of the Sierra Madre.
Bing Crosby included the song in a medley on his album 101 Gang Songs (1961).
The song is performed at a Christmas party of the Adams Family at the beginning of "Chapter VIII: John Quincy Adams, Secretary of State" of The Adams Chronicles (1976).
References
External links
- Choral Public Domain Library
- Piano version
Source of the article : Wikipedia
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